Christ in Majesty Essay - 1762 Words

Christ in Majesty Christ in Majesty is a Romanesque fresco secco from the 12th century that was transferred to plaster and wood. It was originally located in the apse of the Church of Santa Maria de Mur in Catalonia, Spain but now is located in the Museum of Fine Arts in Boston as a gift from the Maria Antoinette Evans Fund. The fresco is a transition from Roman and Byzantine Art to Gothic Art. The artist of Christ in Majesty utilizes his art to educate people in the doctrines of the Christian faith. Christ in Majesty is a work of art made to emphasize religion and to teach illiterate people the principles of Christianity. On the upper register one sees figures from the New Testament such as Christ surrounded by the four symbols of the†¦show more content†¦Unlike Medieval painting, Roman painting does not have a specific scene to show nor a particular doctrine to teach. Some scenes might denote the same theme, but the artist tries to individualize his work by playing with the elements. In Romanesque painting the iconographical demands do not allow artists to illustrate the same icons in different ways. To spread Christianity, the symbols need to remain the same everywhere to make the message easier to understand. In Christ in Majesty the halo is an example of the recurring iconographic element. A halo around someones head means that the person is a saint. Christ, the evangelists, and the Twelve Apostles have halos to point out their religious significance. Individualizat ion is no longer important on Medieval works because artists focus on the expansion of the Christian message. The figures in Christ in Majesty are less naturalistic than the ones in the Dionysiac mystery frieze (second style Roman), located in the Villa of the Mysteries in Pompeii. The figures of Christ in Majesty seem flatter because their outline is stronger than the ones on the Roman fresco. When the artist outlines a form (a three dimensional figure), the form becomes a shape (a two dimensional figure). The shadows in the Romanesque fresco are represented by thick black lines or by using different tones. Under Christ eyes the spectator sees turquoise circles, instead of black circles. Around the eyes of some of the Apostles, one can see shadowsShow MoreRelatedChrist in Majesty1215 Words   |  5 PagesChrist in Majesty Christ in Majesty is one of the world masterpieces wall painting art during Romanesque period. It is a part of the large painting decorated the inside wall of apse at San Climent church, located in Barcelona, Spain. An unknown artist painted it in 1123 CE by using fresco technique (a painting with mixed color and wet plaster on a wall) to create this painting to make it stays lasting. This painting represents Jesus Christ as a ruler of the universe and tries to show his majestyRead MoreThe Christ in Majesty with Symbols of the Four Evangelists Essay609 Words   |  3 PagesFor being over eight hundred years, the Christ in Majesty with Symbols of the Four Evangelists remained in remarkable condition. However, pieces of the original piece, which originated in the Catalan chapel in Spain, have faded. Portions, especially along the bottom, have disappeared over time. Even though historians moved it to the Boston Museum of Fine Arts, it has not been fully restored. The artist identified each of the apostles in the Christ in Majesty with Symbols of the Four Evangelists, butRead MoreDivinity through Decoration: Christ in Majesty with Symbols of the Four Evangelists1001 Words   |  5 Pagesincrease of wealth during the twelfth century allowed artists to showcase their talents in churches. The apse titled Christ in Majesty with Symbols of the Four Evangelists in the church of Santa Maria de Mur displays the representation of divinity through its subject matter, technique, and style. In the apse, the main subjects revolve around scenes from the Old and New Testament with Christ as the focal point. For technique, the artist employed fresco painting instead of mosaics to show the images. TheRead MoreHistorical Art Work: Reliquary Chà ¢sse836 Words   |  3 Pageswell-known for copper work. The birth years of the art was written in between 1175 to 1180 CE. The art work is now a donation from Widerner Collection since 1942 to National Gallery of Art. On other hand, th e second art work is called Book Cover with Christ in Majesty, which was also made in French in 1210 CE. It is now a donation from Samuel H. Kress Collection since 1961 to National Gallery of Art. Moving into the first point of view, reliquary is a term uses to call containers of relics. Therefore, theRead MoreThe Power Of Religious Figures1644 Words   |  7 Pages Yet, how they worship and disseminate their religions and deities is quite similar. When looking at Virgin and Child in Majesty (ca. 1175-1200) and Yashoda with the Infant Krishna (12th Century), one immediately establishes a connection between them due to their visual similarities. The first (Fig. 1) is a sculpture made of walnut that depicts the Virgin Mary and Jesus Christ as a child. The latter (Fig. 2) is a depiction of Krishna and his foster mother Yashoda made of copper alloy. Both worksRead More Wordsworth’s Composed Upon Westminster Bridge, September 3, 1802511 Words   |  3 PagesLondon’s great architectural marvels. However, there are numerous religious connotations throughout this poem. 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Majesty translates to Maestà   in Italian. It was named this because it beheld the Virgin in majesty reflecting the high regards of Mary during that time. Art was viewed in a different sense in the fourteenth century. It had a more active role and was not just decoration, but a vital component of worship